BEAUTIFUL
THOUGHT
COINS
HYBRID NFT ART
BEAUTIFUL
THOUGHT
COINS
HYBRID NFT ART
BEAUTIFUL
THOUGHT
COINS
HYBRID NFT ART
EDUCATION
Doctor of Philosophy (by publication), Flinders University (current)
Doctor of Philosophy (by project), University of Tasmania
Bachelor of Fine Arts (hons) with distinction, Monash University
Bachelor of Fine Arts with distinction, RMIT University
PROFESSIONAL MEMBERSHIP
Australia Academy of Cinema and Television Arts (member: 84413)
Australian Director's Guild (member: 61560240)
National Association of the Visual Arts (NAVA)
AHRC Metamodernism Research Network
EMPLOYMENT
2024 Acting program manager, Digital Media, School of Design, RMIT University, Australia
2017 - Senior lecturer in Digital Media, School of Design, RMIT University, Australia
2012-17 Senior lecturer in Digital Media, School of Media and Communication, RMIT University, Australia
2012-13 Program manager, Digital Media, School of Media and Communication, RMIT University, Australia
2012-13 Program manager, Multimedia Systems, School of Media and Communication, RMIT University, Australia
2009-12 Senior lecturer in Digital Video, School of Media and Communication, RMIT University, Australia
2008 Acting program manager, Creative Media Hons, School of Creative Media, RMIT University, Australia
2006-07 Higher degrees by research manager, School of Creative, RMIT University, Australia
2006 Visiting professor, University of Media, Stuttgart, Germany
2005-07 Lecturer in Digital Video, School of Creative Media, RMIT University, Australia
2004 Casual lecturer, School of Visual and Performing Arts, University of Tasmania, Launceston, Australia
2004 Administration assistant, Wide Angle Tasmania, Hobart, Australia
2003 Research project coordinator, Tasmanians with Disabilities, Hobart, Australia
2001 Curator, Gasworks Arts Park, Melbourne, Australia
2000-01 Curator and gallery assistant, The Jackman Gallery, Melbourne, Australia
2000-01 Casual lecturer, Department of Visual Arts, Wantirna campus, Swinburne TAFE, Melbourne, Australia
2000-01 Casual lecturer, Department of Visual Arts, Whitehorse campus, Box Hill Institute, Melbourne, Australia
1999 Visual arts coordinator, Melbourne Fringe Festival, Fitzroy, Australia
1996-99 Co-director, Indigo Art Studios, Burwood, Australia
SOLO EXHIBITIONS AND SCREENINGS
2024 Drowning at Midnight, Venice Production Bridge, 81st Venice International Film Festival, Venice, Italy
2022 The Black Period, Digital Facade, Federation Square, Melbourne, Australia
2022 Wreck: a social media special operations blockchain for misanthropists, [online in lockdown] GB22, Melbourne, Australia
2022 Beautiful Thought Coins [online in lockdown] OpenSea, Kunst Matrix, virtual exhibition
2021 In The Journey of Midnight, EFM, Berlin International Film Festival, Berlin, Germany
2021 Winter Orbit, Digital Facade, Federation Square, Melbourne, Australia
2021 Uber Memoria XXII: Part I, Adelaide Festival Centre Digital Media Screens, Adelaide, Australia
2020 Winter Orbit, MARS Gallery, Melbourne, Venice Production Bridge, 77th Venice Film Festival, Venice, Italy
2020 Black Garden, Cinemalab, Colombia, Geelong International Film Festival GIFF20
2019 Indigo Rising Proto, Venice Contemporary 2019, Palazzo Ca'Zanardi, Venice, Italy
2019 Black Garden, Venice Production Bridge, 76th Venice International Film Festival, Venice, Italy
2019 Black Garden, Palais, Marche du Film, 72nd Cannes Film Festival, Cannes, France
2019 Indigo Rising, Dallas Medienale, MAC, Dallas Videofest, Dallas, USA
2019 Uber Memoria VI & IX, Adelaide Festival Centre Digital Media Screens, Adelaide, Australia
2019 Uber Memoria L Part I, Venice Contemporary Art Fair, Venice, Italy
2018 Indigo Rising, curated by M Bywaters, Sawtooth ARI, Launceston, Australia
2018 Video Contemporary, curated by K Gellatly, Ian Potter Museum of Art, Sydney Contemporary, Carriageworks, Sydney, Australia
2018 Uber Memoria L, Cube 37, Frankston Art Centre, Victoria, Australia
2018 Uber Memoria X, curated by M Bywaters, Adelaide College of the Arts, Adelaide, Australia
2018 Wunderkammer, NOIR Darkroom, Melbourne, Australia
2018 Failed Design Experiments of Climate Change Denial Machines, Melbourne Design Week, MARS Gallery, Melbourne, Australia
2017 Uber Memoria L Part 1, Mars Gallery, Melbourne, Australia
2016 Uber Memoria XIX Part VI, Melbourne Central Loop Screens, Melbourne Central, Melbourne, Australia
2016 Uber Memoria, The Body Language, Bogota Arte Contemporaneo, Colombia
2015 Uber Memoria XIX Part IX, curated by Brie Trenerry, MARS Gallery, Melbourne, Australia
2014 51 Paintings, San Paulo, Brazil
2014 Uber Memoria XIX: Part IV, XIV International Image Festival, Colombia, FKI Research Centre for Art, Berlin, Germany
2013 Uber Memoria XXII, Z-Bar, Berlin, Germany
2012 Uber Memoria XXI, Academy Gallery, Launceston, Australia
2011 A Far Cry From Nowhere, Meinblu House, Berlin, Germany
2010 Uber Memoria X, Meinblu House, Berlin, Germany
2009 Uber Nocturnus Acts II-IV, Scala Theatre, Berlin, Germany
2008 Uber Nocturnus Act I, Scala Theatre, Berlin, Germany
2005 The Memory Palace, Academy Gallery, University of Tasmania, Launceston, Australia
2005 Filmic Memorials II, Memory Grid, ACMI, Melbourne, Australia
2005 Filmic Memorials, Perth Institute of Contemporary Art, Perth, Australia
2005 Footballism, PITSpace, Melbourne, Australia
2005 Ride-In Movies, Melbourne International Arts Festival, Federation Square, Melbourne, Australia
2004 Modern Topographies, 24hr Art: NT Centre for Contemporary Art, Darwin, Australia,
2004 The Empire of Small, Academy Gallery, University of Tasmania, Launceston, Australia,
2004 Mnemonica, curated by L. Bisset, Small Black Box, Institute of Modern Art, Brisbane, Australia
2003 Nextworlds, Switchback Gallery, Monash University, Melbourne, Australia
2002 Small Worlds, curated by S. Kelly, CAST, Hobart, Australia
2002 Nextworlds, Canberra Contemporary Art Space Cube, Canberra, Australia
2002 The George Paton Gallery, The University of Melbourne, Melbourne, Australia
2002 Hidden Worlds, Entrepôt Gallery, Centre for the Arts, Hobart, Australia
2001 Eurobliss, Indigo Studios, Melbourne, Australia,
2000 Popscapes, The Jackman Gallery, Melbourne, Australia
1999 Outside Looking In, Access Gallery, The Jewish Museum of Australia, Melbourne, Australia
1998 Whispers and Memories, Indigo Studios, Melbourne, Australia
1998 Popscaping, Stop 22, Melbourne, Australia
1998 Friendly Fire Part 2, Open Space Gallery, Melbourne, Australia
1998 Self Imposed Dignity, Transport Shelters, Flinders Way Arcade, Melbourne, Australia
1997 Recent Drawings, Indigo Studios, Melbourne, Australia
1997 Toy Soldiers, Bugs and Other Things That Suck, Indigo Studios, Melbourne, Australia
1996 Friendly Fire, Kirkcaldy Davies Gallery, Melbourne, Australia
1996 Untitled, McKillop Street Gallery, Melbourne, Australia.
1995 Three Colours Nuke, Grand Central Gallery, Melbourne, Australia
1994 Recent Works, Vertigo, Melbourne, Australia
1994 Shaun Wilson Recent Works, Sambuca Bar, Melbourne, Australia
1993 Fatcat’s Revenge, Sambuca Bar, Melbourne, Australia
COMMUNITY ENGAGEMENT
2024 Festival director, Parkville Film Festival, Melbourne, Australia
2024 Member, Parkville Association, Melbourne, Australia
2024 Volunteer (pending), Lort Smith Animal Hospital, North Melbourne, Australia
2024 Volunteer, Greenpeace Australia Pacific
2024 Volunteer, Enterprize (tall ship crew), Docklands, Melbourne, Australia
2024 Member, Australian Greens, Melbourne, Australia
2019-22 Volunteer, G Biennale, Geelong, Australia
2021-22 Resident, ACMI-X, ACMI, Melbourne, Australia
2017-18 Volunteer, North Bellarine Film Festival, Portarlington, Australia
2016 School volunteer, Queenscliff Primary School, Queenscliff, Australia
2003 Volunteer, Tasmanians with Disabilities, Hobart, Australia
2002-12 Volunteer, The Academy Gallery, University of Tasmania, Launceston, Australia
2000-04 Volunteer, Monash Medical Centre, Australia
1999-01 Volunteer, The Faculty Gallery, Monash University Caulfield, Melbourne, Australia
SELECTED COLLABORATIVE
2007 'iLandscape', Figuring Landscapes, devised by Steven Ball and Catherine Elwes, touring TATE Modern, London, GOMA, Brisbane, Dundee
Arts Centre, FACT Liverpool, Vivid, Birmingham, Showroom, Sheffield, Hull International Short Film Festival, Chapter Arts Centre, Cardiff, Mermaid Arts Centre, Wicklow, ACMI, Melbourne, Australia
GROUP EXHIBITIONS AND SCREENINGS
2022 Digital Combines, curated by S Beyer, Box Gallery, Melbourne, Australia
2021 Carried landscapes, curated by K. Collmer, Q18 Galerie, Quartier am Hafern, Cologne, Germany
2021Venice Contemporary, The Room, Venice, Italy
2019 MARS Gallery 15th Birthday, MARS Gallery, Melbourne, Australia
2019 Museum of Aphorisms and Platitudes, curated by P Edwards, C3 and Rubicon, Melbourne, Australia
2018 Creativity Persists, Seattle Centre on Contemporary Art, Seattle, USA
2018 Super Awful Meta War Machines, NOIR Darkroom, Melbourne, Australia
2017 21st Century Nonsense Machine, Noir Darkroom, Melbourne, Australia
2017 Sublime/Internal/Subliminal, NeMe Arts Centre, Limassol, Cyprus
2018 Museum of Lost Public Notice Project, George Paton Gallery, Melbourne, Australia
2018 Gothic Memoria suite, curated by K.Boland, Five Walls Projects, Melbourne, Australia
2016 FILE15, Electronic Language International Festival, Sao Paulo, Brazil
2016 Navigating the Internal Landscape: an artistic interpretation of disease, curated by M. Bywaters, Academy Gallery, Launceston, Australia
2016 Design/Play, Design Hub Gallery, Melbourne, Australia
2015 Experimental Superstars, Novi Sad, Serbia
2015 Electronic Language International Festival, Sao Paulo, Brazil
2015 Bideodromo International Experimental Film and Video Festival, Bilbao, Spain
2015 Festival Internacional De La Imagen, Colombia
2015 Fringe Film, Melbourne Fringe Festival, Melbourne, Australia
2014 International Experimental Video Art Festival, Museum of Art Ameria, Spain
2014 House and Home, curated by M. Bywaters, Margaret Lawrence Gallery, Victorian College of the Arts, Melbourne, Australia and the Academy Gallery, University of Tasmania, Launceston, Australia
2014 Make Believe its Nothing, curated by B Ternary, K Boland, MARS Gallery, Melbourne, Australia
2014 Beacons Art Music Festival, Yorkshire, UK
2014 X Media Art Monographic Show, XIII International Festival of the Image, Manizales, Columbia
2014 Venice Experimental Cinema and Performance Art Festival, Palazzo Ca' Zandardi, Venice, Italy
2014 Hamilton Music and Film Festival, Ontario, Canada
2014 Bideodromo Experimental Film and Video Festival, Bilbao, Spain
2013 XII International Image Festival, Manizales, Colombia
2013 Now you see it... now you don't, Miden Videoart Festival, Athens, Greece
2012 Screening in Chios, Calliope Artspace, Chios, Greece
2012 Hits and Memories, curated by M. Bywaters, Academy Gallery, Launceston, Australia
2012 Placeness, curated by S. Wilson, Naherholung Sternchen, Berlin, Germany
2012 Miden Video Art Festival, Miden, Greece
2012 Electronic Language International Festival, Ruth Cardoso Cultural Centre, São Paulo, Brazil
2012 VIII Media Art Monographic Show, 9th International Imagen Festival, Manizales, Columbia
2011 Boom, Boom, Knowledge, Knowledge, curated by P. Edwards, ARS Upstairs, Melbourne, Australia
2011 Footnote, curated by M. Bywaters, Academy Gallery, Launceston, Australia
2009 Gothic Memoria 1-30, curated by Souvenirs From Earth, IMM Cologne, Germany, FNAC Digitale, Paris, France, SFE, Freebox 129 cable TV
2009 Mildura Palimpsest, Wentworth Prison, Mildura, Victoria, Australia
2009 Perpetual Art Machine, University of Georgia Art Galleries, Athens, Georgia, USA
2008 Perpetual Art Machine, Scope Art Fair, Basel, Switzerland
2008 The Cologne Art Fair XXI, Cologne, and CO POP, Cologne, Germany
2008 Transcentric, curated by S. Ball & I. Barberis, Lethaby Gallery, London, United Kingdom
2008 In-Transition, curated by H. Black, Museum of Fine Arts, Moscow, National Centre of Contemporary Art, Kekateringburg, Russian Federation
2008 Australian Gothic, curated by S. Wilson, Perth Institute of Contemporary Art, Perth, Australia
2008 Float, curated by M. Gates; D. Hobson, Lake Macquarie City Art Gallery, Boolaroo, Australia
2008 Other Cinema, Scala Theatre, Directors Lounge, Berlin, Germany
2008 Perpetual Art Machine, Utsikten Art Center, Norway, Charlotte and Phillip Hanes Art Gallery, Winston-Salem, USA
2008 Perpetual Art Machine, SCOPE Art Fair, Basel, Switzerland
2007 Mov-In Gallery, Santa Fe, New Mexico, USA
2007 Athens Video Art Festival, Athens, Greece
2007 The Mirror Stage, curated by H. Black, Latinos Foundation, Limassol, Cyprus
2007 Pixel International, curated by D. Quigley, Academy Gallery, Launceston, Australia
2007 Neo Goth: Back in Black, curated by A. Kubler, UQ Art Museum, Brisbane, Australia
2007 A Very Cinematic Effect, curated by B. Lee, LA NAU, University of Valencia, Spain
2007 Optica07, Cervantes Institute, Paris, France
2007 Artwave Radio, 1st Athens Biennial, Athens, Greece
2007 Revelation, curated by L. Marvell, Spectrum Project Space, Perth, Australia
2007 Voyeur One, 69 Smith Street, Melbourne, Australia
2007 Australian Gothic, curated by S. Wilson, Project Space/Spare Room, Melbourne, Australia
2007 U-Turn, curated by L. Hjorth & K. Shaw, Glendale Art Gallery, Los Angeles, USA
2006 The Basement ARI, Friskas, Finland
2006 NEW06, curated by J. Enberg, Australian Centre of Contemporary Art, Melbourne, Australia
2006 Boundless, curated by J. Christensen, Stavanger Kunstforening Stavanger, Norway
2006 Art Media Tech 06, touring Spain: Presidency Government of the Canary Islands, Tenerife; Museum of Contemporary Art Fenosa Union (MACUF); Basque Museum Atrium, Victoria; Da2 Museum, Salamanca; Párraga Centre, Murcia; Bilbao Arte, Bilbao; Asia House, Barcelona; CCCB, Barcelona; National Museum Centre of Art Reina Sofía, Spain
2006 1st International Conference on Film and Memorialisation, Schwäbisch Hall, Germany
2006 1st International Video Art Festival Valencia, Valencia, Spain
2006 International Festival of Video Art, Don Benito, Spain
2006 Buzz, curated by W. Hudson, Academy Gallery University of Tasmania, Launceston, Australia
2006 Boundless, curated by J. Christensen, touring Norway: Stenersenmuseet, Oslo; Bodø Kunstforening, Bodø; Sogn og Fjordane Kunstmuseum Eikaasgalleriet, Jølster; Trondarnes Distriktsmuseum Harstad, Eidsberg Kommune, Eidsberg; Kirkenes, Grenselandmuseet, Kulturkontoret, Norway
2005 Memory, Identity and Place, curated by A. Bouch, Hera Gallery, Rhode Island, USA
2005 People Doing Strange Things with Electricity Too, curated by K. Seekings, Centre on Contemporary Art, Seattle, USA: CD launch, Comfortstand Records, USA
2005 Australia-Where?, Electro Fringe, Princess Theatre, Newcastle, Australia
2005 New Media Arts Festival (MAF05), Bed SuperClub, Bangkok, Thailand
2004 Off the Wall, Ian Potter Gallery, Queen Victoria Museum and Art Gallery, Launceston, Australia
2004 An Architecture of Hope, curated by M. Copley, Gallery 101, Melbourne, Australia
2004 Recent Acquisitions, Icon Museum of Art, Deakin University, Melbourne, Australia
2004 Compendium, curated by M. Copley, Icon Museum of Art, Deakin University, Melbourne, Australia
2004 Boogie, Jive, and Bop, curated by M. Bywaters, Plimsoll Gallery, Hobart, Australia
2004 White Line Fever, curated by M. Bywaters, Academy Gallery, Launceston, Australia
2004 Dare to Look, coordinated by V. McGrath, Tasmanian Living Artists Week, Launceston, Australia
2003 Little Things Count, Centre on Contemporary Art, Seattle, USA
2003 Research 2, coordinated by V McGrath, Academy Gallery, University of Tasmania, Launceston, Australia Compendium, curated by M. Copley, Platform, Melbourne, Australia
2003 Boogie, Jive, and Bop, curated by M. Bywaters, Academy Gallery, Launceston, Australia, Devonport Gallery and Arts Centre, Devonport, North West Centre, Burnie, Australia
2003 A4 Art show 2003 Westspace, Melbourne, Australia
2003 Global House Project, curated by B. Beukelman, Monaghan Design, Seattle, USA
2002 Miniatures Show, Entrepôt Gallery, Centre for the Arts, Hobart, Australia
2002 Squeeze, Fine Arts Gallery, University of Tasmania, Hobart, Australia
2002 Relief, Entrepôt Gallery, Centre for the Arts, Hobart, Australia
2002 Transcribe, curated by A. King, Entrepôt Gallery, Centre for the Arts, Hobart Australia
2002 Celebrating the Exquisite Corpse, curated by A. Bell, Ararat Art Gallery, Victoria, Australia
2001 Staff Exhibition, Gallery 369, Swinburne TAFE, Wantirna Campus, Melbourne, Australia
2001 Work: Cut Paste Burn Paste, curated by M. Bywaters, The Faculty Gallery, Melbourne, Australia
2001 Gallery Artists Show, The Jackman Gallery, Melbourne, Australia
2001 Group Show, NG Art, Sydney, Australia
2001 Celebrating the Exquisite Corpse, by A. Bell, Monash Gallery of Art, Melbourne, Australia
2000 @ Global City, The Public Office, Melbourne, Australia
2000 Summer Salon Show, Helen Gory Gallerie, Melbourne, Australia
2000 The Official Artists Olympic Games 2000, Indigo Studios, Melbourne, Australia
2000 New Painting from Melbourne, The Jackman Gallery, Melbourne, Australia
2000 D.I.Y, curated By Malcom Bywaters, The Faculty Gallery, Melbourne, Australia
2000 Memory, Switchback Gallery, Monash University, Churchill, Australia
2000 Life, The Public Office, Transport Shelters, Melbourne, Australia
2000 Celebrating the Exquisite Corpse, curated by A. Bell, Bendigo Art Gallery, Australia
2000 Staff Exhibition, Student Gallery, Swinburne TAFE, Wantirna Campus, Melbourne
2000 Different Views, curated by T Honey, The Universal, Melbourne, Australia
2000 Modern Masters, Box Hill Community Arts Centre, Melbourne, Australia
1999 D.I.Y, curated by M. Bywaters, Switchback Gallery, Churchill, Australia
1999 Bigotscapes, Bulle Galleries, Melbourne, Australia
1999 Momenta 99, Emerging Artists Festival, Geelong, Australia
1998 The First Slice, Chichios, Melbourne, Australia
1997 Artist online, The Jackman Gallery, Melbourne, Australia
1997 Metal as Anything, The Jackman Gallery, Melbourne, Australia
1997 Review, Kirkcaldy Davies Gallery, Melbourne, Australia
1996 Eggasipation, Albert Park Library, Melbourne, Australia
1996 9 x 5, Indigo Studios, Melbourne, Australia
1996 Shamocracy, Lyall Burton Gallery, Melbourne, Australia
1996 The Postcard Show, Linden Gallery, Melbourne, Australia
1995 World in a Matchbox Show, curated by M. McCormack, Grand Central Gallery, Melbourne, Australia
1995 Oberwyn Panels, Albert Park, Melbourne, Australia
1995 Arial Art, coordinated by Andrew Sibley, rooftop installations, Albert Park, Melbourne, Australia
1995 Artline 1995, curated by M. Bywaters, Foy and Gibson Gallery, Melbourne, Australia
1995 Monash Graduate Show, Monash University, Caulfield Campus, Melbourne, Australia
1995 C.D exhibition, D Block, Monash University, Caulfield Campus, Melbourne, Australia
1994 Graduate Exhibition, RMIT University, Bundoora Campus, Melbourne, Australia
1995 Monash Kids Benefit Exhibition, The Highway Gallery, Melbourne, Australia
1992 ISM 2, Brunswick Mechanics Institute, Melbourne, Australia
1992 ISM, curated by S. Wilson, Clayton Theatre, Melbourne, Australia
SELECTED BIBLIOGRAPHY
Piatti-Farnell, L., & Nairn, A. (2023). 'The Magic of Media and Culture'. M/C Journal, Vol.26, No.5.
'FAC Online Artist in Residence Shaun Wilson, Fremantle Arts Centre, 22 October, 2021
'Shaun Wilson: Winter Orbit', Art Collector [online], 23 September, 2020
Noonan, J (2020). 'Black Garden', Festivals, Filmink Magazine online, 11 November
Bywaters, M (2018). 'Uber Memoria X, exhibition catalogue, Adelaide College of the Arts, Adelaide, Australia
Schwientek, J (2018) 'Wunderkammer', exhibition catalogue, NOIR Darkroom, Melbourne, Australia
'Emerging and Established Australian Video Art' 2017, NeMe Arts Centre, Cyprus
Dean, A (2015). 'Projecting the Future: Shaun Wilson', Artview magazine, Joomag publishing, pp 31-35
'Independent Cinema: Shaun Wilson' 2014, Video Focus, 9th Biennial edition, Stigmart Press
Clift, T (2012). 'Experimental Expression', News, FilmInk Magazine online, 27 August
Chuy, G (ed.) (2011). ‘Shaun Wilson’, Reimagine: New Contemporary Art, ArtNow International, Miami, pp.92-93
Sant, T (2010), 'Reviews: Save As... Digital Memories', in Digital Icons: Studies in Russian, Eurasian and Central European New Media Journal, Issue 4, University of Leeds, pp.181-184
Clarke, S (2008). ‘The Art of Darkness sees the Light of Day’, The Courier-Mail, Brisbane, 19-20 July, p.6,
Press, C (2008). ‘Dark Times Ahead’, Scene, Vogue Magazine, August Issue, Sydney, p.68
Sorensen, R (2008). ‘How Death Becomes You’, Arts & Entertainment, The Australian, 1 August, p.10
Alderon, S (2008). ‘Back in Black – Goths are Back’, Artspeak, Northern Star, Lismore, p.50
Crawford, A (2008). ‘Gothic Candour’, Australian Art Monthly, No. 216, Summer, pp.45-49
Douglas, C (2008). ‘Neo-Goth: Back in Black’, Artlink, Vol 28, No. 4, p.18
Jones, L (2008). ‘Uber Memoria X’, The Monash Journal, 20 July, p.20
Christmass, P (2008). ‘Australian Gothic’, Today Section, The West Australian, 30 July, p.10
Stowell, J (2008). ‘The Shippings News’, The Newcastle Herald Weekender, 12 January, p.30
Jones, J (2008). ‘Top Art Galleries’, The Newcastle Herald, 5 January, p.22
Rainforth, D (2008). ‘Rear Window or Front Projection’, Un Magazine, Vol.2, No. 1, Melbourne, pp.19-21
Lee, B (2007). ‘More Video Art Please’, Artlink, Vol 27, No.3, Henley Beach, pp. 28-31
Engberg, J (2006). ‘NEW06’, NEW06, ACCA, Melbourne, p.7
Bywaters, M (2006). ‘The Memory Palace: Family History and 1975’, NEW06, ACCA, Melbourne, pp.40-47
Benedictus, L (2006). ‘A Shot of the New’, Preview, The Sunday Age, 26 March, pp.6-7
Green, C (2006). ‘New06’, Artforum.com, Australia
Marvell, L (2005). ‘Brendan Lee, Shaun Wilson, Alexandra Gillespie’, Photofile, ACP, Sydney, p.77
Malpas, J (2005). On Location: Memory, Place, and the Moving Image, PICA, Perth
Mueke, S (2004). Ancient and Modern: Time, Culture and Indigenous Philosophy, UNSWP, Sydney, p.10
Bywaters, M (2004). ‘The Empire of Small’, exhibition catalogue essay, Academy Gallery, Launceston
Klaosen, D (2004). Seductive Talents, Real Time, No. 61, Sydney, p.41
Lee Downes, B (2004). ‘Boogie, Jive and Bop’, Artlink, Vol 24, No. 2, Henley Beach, pp.83–84
Copley, M (2004). ‘Compendium’ exhibition catalogue, Icon Museum of Art, Deakin University, Melbourne
Copley, M (2004). ‘An Architecture of Hope’, exhibition catalogue, Gallery 101, Melbourne
Corsini, M (2003). ‘The Memory Palace of Shaun Wilson’, Vehicle, Issue 9, Singapore, pp.26-27
McIntyre, J (2003). ‘Cutting Edge of Bop’, The Examiner, Launceston, September 27, p.31
Andersch, J (2003). ‘Suggestive Shapes’, Gallery Watch, The Examiner, Launceston, Sept. 27, p.25
Copley, M (2003). ‘Compendium’, exhibition catalogue, Platform, Melbourne
Bywaters, M (2003). ‘Boogie, Jive, and Bop.’ exhibition catalogue, Academy Gallery, Launceston
Curtis, A (2002). ‘Squeeze’, Arts Review, Togatus, Vol 73, #8, TUU, University of Tasmania, Hobart, p.40
Bywaters, M (2001). ‘Work: Cut Paste Create Burn’, catalogue essay, The Faculty Gallery, Melbourne
Corsini, M (2000). ‘Popscapes’, exhibition catalogue essay, The Jackman Gallery, Melbourne
Kirkman, T (2000). ‘Art-Notes’, Australian Art Monthly, Adelaide: March, p.35
Bell, A (2000). ‘Celebrating the Exquisite Corpse’, exhibition catalogue essay, Bendigo Art Gallery, Bendigo, Australia
Duncan, J (2000). forward, D.I.Y exhibition catalogue, Faculty Gallery, Melbourne
Longstaff, M (2000). ‘DIY: Do It Yourself’, exhibition catalogue essay, The Faculty Gallery, Melbourne
Church, D (1999). ‘Popscaping’, exhibition catalogue essay, Stop 22 Gallery, Melbourne
SELECTED EXHIBITION CATALOGUES WITH ESSAY
2020 Winter Orbit, MARS Gallery, Melbourne, Australia
2018 Uber Memoria X, Adelaide College of the Arts, Adelaide, Australia
2018 Wunderkammer, NOIR Darkroom, Melbourne, Australia
2008 Neo-Goth: Back in Black, University of Queensland Art Museum, Brisbane, Australia
2008 In Transition Russia, National Centre of Contemporary Art, Moscow, Russian Federation
2008 The Mirror Stage, Lanitis Foundation, Limassol, Cyprus
2008 Float, Lake Macquarie City Art Gallery, Booragul, Australia
2007 Art Media Tech 06, Centre for Contemporary Culture Barcelona, Spain
2007 U-Turn, Glendale Art Gallery, Los Angeles, USA
2007 Australian Gothic, Project Space/Spare Room, Melbourne, Australia
2006 New 06, Australian Centre of Contemporary Art, Melbourne, Australia
2004 Empire of Small, Academy Gallery, University of Tasmania, Launceston, Australia
2003 Research 2, Academy Gallery, University of Tasmania, Launceston, Australia
2003 Compendium, Icon Museum of Art, Melbourne, Australia
2003 Boogie, Jive and Bop, Academy Gallery, University of Tasmania, Launceston, Australia
2000 Celebrating the Exquisite Corpse, Bendigo Art Gallery, Bendigo, Australia
2000 Popscapes, Jackman Gallery, Melbourne, Australia
2000 Popscaping, Stop 22, Melbourne, Australia
1999 Momenta Emerging Arts Festival, Geelong Art Gallery, Melbourne, Australia
1999 DIY: Do it Yourself, Faculty Gallery, Monash University, Melbourne, Australia
GRANTS, SCHOLARSHIPS AND AWARDS [TOTAL $254,540)
2021 Regional Arts Fund: Artist Quick Response Grant, Regional Arts Victoria, [$450]
2010 Arts Creation Grant (Established Artists), Arts Victoria, [$9000]
2010 School of Media & Communication Research Grant, RMIT University, [$500]
2009 New Work Grant (Established Artists), Australia Council for the Arts, [$20,000]
2008 Arts Creation Grant (Established Artists), Arts Victoria, [$7000]
2008 School of Creative Media Professoriate Research Grant, RMIT University, [$800]
2007 Acquisition Artist Grant, ERGAS Collection, [$6000]
2006 Early Career Research Grant, RMIT University, [$7000]
2005 Department of Sustainability and Environment, Victorian State Government, Australia [$110,000]
2004 Graduate Research Support Scheme (GRSS), University of Tasmania, [$1800]
2003 Graduate Research Support Scheme (GRSS), University of Tasmania, [$1000]
2002 Graduate Research Support Scheme (GRSS), University of Tasmania, [$1000]
2002 Australian PostGraduate Award (APA), Australian Research Council, [$97,000]
2001 The Julian Burnside Artists Trust Grant, [$2500]
2000 Pat Corrigan Artist Grant, National Association for the Visual Arts [$500]
COMMITTEES, BOARDS, AND REPRESENTATION
2022 Academic Board, full 3 year term, RMIT University, Melbourne, Australia
2011 Academic Board, acting 4 month term, RMIT University, Melbourne, Australia
2011 Place Research Network, School of Media; Communication, RMIT University, Melbourne, Australia
2011 Technology Committee, School of Media and Communication, RMIT University, Melbourne, Australia
2010- Centre for Memory Studies, University of Gloucestershire, Cheltenham, United Kingdom
2007 Project Space/Spare Room Gallery Committee, RMIT University, Melbourne, Australia
2006-08 Research Committee, School of Creative Media, RMIT University, Melbourne, Australia
2006-07 Research Committee, College of Design and Social Context, RMIT University, Melbourne, Australia
CHAIRED CONFERENCES AND SYMPOSIUMS
2023 M23: Metamodernism Conference, RMIT University, Melbourne, Australia
2022 GBiennale GB22 Art Symposium, Heidi Museum of Modern Art, Melbourne, Australia
2017 1st North Bellarine Film Festival Symposium, Portarlington, Australia
2015 Expanding Slow Cinema in Digital Media Symposium, RMIT University, Melbourne, Australia
2015 Digital Media After Web 2.0, RMIT University, Melbourne, Australia
2015 The Future of Narrative Symposium, RMIT University, Melbourne, Australia
2012 Digital Cinema Symposium, RMIT University, Melbourne, Australia
2012 Slow Media Symposium, RMIT University, Melbourne, Australia
2006 1st International Conference on Film and Memorialisation, RMIT University/Hochshule der Medien, Germany
FORTHCOMING BOOKS
Wilson, S (2025) Place and Illness: Pandemics, Plagues, and Disease, Palgrave MacMillian, London
Wilson, S (2025) Place, Migrants, and Home Movies: The Journey to Australia through the Moving Image, Amsterdam University Press, Amsterdam
PUBLICATIONS
Wilson, S (2023). 'Magic and metamodernism', Piatti-Farnell, L, Nairn, A (eds.) M/C Journal, Vol. 26, No. 5
Wilson, S (2023). ‘Punching nazis: deconstructing fascist villains in fantastic screen culture from zombies to Outerspace’, Screen Thought Journal, V7
Wilson, S (2022). 'The affordances of digital aesthetics', Digital Combines, ex.catalogue, Box Gallery, Melbourne
Wilson, S '(2022). 'Plague, allegory, and metamodernism as contemporary studio practice in 'Placing the Decameron'’, International Journal of Contemporary Humanities, Vol 6
Wilson, S (2022). 'The Black Period', Bakers Road Entertainment
Wilson, S (2022). 'Situating Conceptuality in Non-Fungible Token Art', M/C Journal, Vol. 24, No. 2
Wilson, 2 (2022). 'Beautiful Thought Coins', Bakers Road Entertainment
Wilson, S (2021). 'Fear Mapping Place and the Art of Contagion in Wither They Say', International Journal of Practice Based Humanities, Vol. 4
Wilson, S (2001). 'Reconsidering Place in Honda's Kaiju Eiga 1961-1969’, Screen Thought Journal, Vol.5, No.1,
Wilson, S (2021). 'A Fear of Place: an Ontology of Symbiosis in Pandemic Times', International Journal of Contemporary Humanities, Vol 5 No. 2
Wilson, S (2021). 'Creative Practice through Teleconferencing in the Era of COVID-19, Zoom issue, MC Journal, Vol.24, No. 3
Wilson, S (2020). 'The Good, the Bad, the Grumpy: Online Cat Pictures as Design Enigma in Digital Media', Screen Thought Journal, Vol.4, No.1
Wilson, S (2020). 'Winter Orbit', MARS Gallery, Bakers Road Entertainment
Wilson, S (2020). 'Representing Climate Activism through Digital Media before and during COVID-19', International Journal of Contemporary Humanities, Vol 4, No. 1
Wilson, S (2019). 'The Long Take as a Metamodernist Framework in the Age of Perpetual Distraction', Screen Thought Journal, Vol.3, No.1
Wilson. S (2019). 'Bullshit Bingo: Designing a Response to climate change denialism in critical studio practice, International Journal of Practice Based Humanities, Vol. 3, No.1
Wilson, S (2018). 'On Digital Otherness: Being 'of Art' in the Age of the Internet', International Journal of Contemporary Humanities, Vol.3, No.1
Wilson, S (2017). 'Towards the Simulation of Sensor Networks [Authenticity and Untruthful Practice], International Journal of Contemporary Humanities, Vol.2, No.1
Wilson, S (2017). 'Modelling Meta-Immersion in Cinematic New Narrative', Screen Thought Journal, Vol.2, No.1
Wilson, S (2017). 'Scaling Home in Critical Studio Practice', International Journal of Practice-Based Humanities, Vol. 2, No, 1
Wilson, S (2017). 'Designing Meta-Immersion for Cinematic Narrative', Screen Thought Journal, Vol.2, No.1
Wilson, S (2017). 'Designing Meta-Inclusion for Screen-Based Agents', International Journal of Contemporary Humanities, Vol.2, No.1
Wilson, S (2016). 'Building a Memory Palace from the Ars Memoria Tradition through Video Installation', International Journal of Practice-Based Humanities, Vol. 1, No. 1
Wilson, S (2016). 'What is Post-neomodernism?: Absolute, Multiplicity, Post-Truth, Disruption, International Journal of Contemporary Humanities, Vol.1, No.1
Wilson, S (2016). 'Alternative Characterisation Strategies in Contemporary mainstream Zombie Cinema', Screen Thought Journal, Vol.1, No. 1
Wilson, S (2015). 'Slow Motion as a Condition for the Moving Image', Evers, C, Berry, M (Eds.) Altitude Journal, University of Nottingham Ningbo, China
Wilson, S (2014). The Gothic Memorium, Windsor Bentley Press, Melbourne, iTunes
Wilson, S (2014) The 51 Paintings Suite: Images from the Film, iTunes ISBN
Wilson, S (2011). ‘Searching for Memory in Home Movies’, in Screen Memories, Teressa Forde (ed), Image and Narrative Journal, Open Humanities Press, Issue 11
Wilson, S (2009). ‘Remixing Memory in Digital Media’, in Save As... Digital Memory, Jo Garde-Hansen (ed.), Palgrave McMillan, London
Wilson, S (2007). ‘Give me a Hard Copy Right There’, catalogue essay, Post-Cinema exhibition, Project Space/Spare Room, Melbourne
Wilson, S (2007). ‘Australian Gothic’, Australian Gothic exhibition, Project Space/Spare Room, RMIT, Melbourne
Wilson, S (2007). ‘Time Out’, Time Out: Malcom Bywaters, SPACE Gallery, Launceston
Wilson, S (2006). ‘Remixing Memory: the Copied Image in Australian Photography’, Photofile, Issue 77, Autumn, Australian Centre of Photography, Sydney, pp.34-37
Wilson, S (2006). ‘Digital Communities, Locational Illusions: Place and Current New Media Practice’, Places and Lenses Conference, University of Tasmania, Hobart
Wilson, S (2006). ‘Filmic Memorials’, 1st International Conference on Film and Memorialisation, University of Applied Sciences, Schwäbisch Hall, Germany
Wilson, S (2005). ‘The New New: Video Art in the Twenty-First Century’, Vital Signs Conference, AustralianCentre for the Moving Image, Informit, RMIT University, Melbourne
Wilson, S (2004). ‘The History of the Memory Palace’, University of the Third Age (U3A), Hobart
Wilson, S (2004). ‘The Journey of Grandad Barbone: A Mnemonic Safari’, School of Philosophy, University of Tasmania, Hobart
Wilson, S (2003). ‘Secret Worlds: The Structure of Imaginal Place in Children’s Fiction’, 9th Annual Australasian Postgraduate Philosophy Conference, University of Tasmania, Hobart
Wilson, S (2003). ‘Reverie and the Home Movie’, School of Philosophy, University of Tasmania, Hobart
Wilson, S (2003). ‘The Memory Palace’, November 10, McCulloch House Palliative Care Unit, McCulloch House, Monash Medical Centre, Melbourne
Wilson, S (2004). ‘Revere: The Relationship Between Objects and Memory’, Scotch Oakburn College, Launceston
Wilson, S (2004). ‘Modern Topographies’ exhibition catalogue, 24hr Art: NT Centre of Contemporary Art
Wilson, S (2003). ‘The Philosophy Sweet’, Togatus, Vol. 74, No. 8, University of Tasmania, pp.26-27
Wilson, S (2003). ‘In Defence of Philosophy’, Togatus, Vol. 74, No. 6, University of Tasmania, pp.24- 25
Wilson, S (2003). ‘Reinventing Glover’, Queen Victoria Museum and Art Gallery, Launceston
Wilson, S (2003). ‘Art on Holiday / Reinvented Spaces’, exhibition catalogue essay, Arts @ Work, Hobart
Wilson, S (2002). ‘Curatorial Symposium 2002’, catalogue essay, Entrepôt Gallery, Hobart
Wilson, S (1999). ‘Yellow Houses and Plastic trees’, Artly, Vol. 4, Issue 3, Indigo Studios, Melbourne, p.4
Wilson, S (1999). ‘The Problem with Art’, Artly, Vol. 4, Issue 5, Indigo Studios, Melbourne, p.6
Wilson, S (1998). ‘Is Painting Dead?’ Artly, Vol. 3, Issue 1, Indigo Studios, Melbourne, p.4
Wilson, S (1997). ‘White Cubes’, Artly, Vol. 2, Number 4, Indigo Studios, Melbourne, p.7
Wilson, S (1997). ‘The Great Divide’, Artly, Vol. 2, Number 4, Indigo Studios, Melbourne, p.9
Wilson, S (1997). ‘Is Painting Dead?’ Artly, Vol. 3, Issue 1, Indigo Studios, Melbourne, p.4
Wilson, S (1997). ‘White Cubes’, Artly, Vol. 2, Number 4, Indigo Studios, Melbourne, p.7
Wilson, S (1996). ‘The Great Divide’, Artly, Vol. 2, Number 4, Indigo Studios, Melbourne, p.9
FEATURE LENGTH SCREENPLAYS
Wilson, S (2017). Australian Gothic, Honeyhouse Films, Melbourne, Australia
Wilson, S (2016). The Plains, Honeyhouse Films, Melbourne, Australia
Wilson, S (2016). Black Garden, Honeyhouse Films, Melbourne, Australia
Wilson, S (2014). The Last Man in Vegas, Honeyhouse Films, Melbourne, Australia
Wilson, S (2012). The Darklands, Honeyhouse Films, Melbourne, Australia
Wilson, S (2011). The Curse of the Mysterious Dark Vampire, Honeyhouse Films, Melbourne, Australia
Wilson, S (2011). Pineapple, Honeyhouse Films, Melbourne, Australia
Wilson, S (2010). Saturn Rising, Honeyhouse Films, Melbourne, Australia
Wilson, S (2009). Nocturnus, Honeyhouse Films, Melbourne, Australia
Wilson, S (2009). Night Dwellers, Honeyhouse Films, Honeyhouse Films, Melbourne, Australia
Wilson, S (2009). At Midnight, Honeyhouse Films, , Honeyhouse Films, Melbourne, Australia
Wilson, S (2009). Gothic Memoria, Honeyhouse Films, Melbourne, Australia
Wilson, S (2008). Epic Memoria, Honeyhouse Films, Melbourne, Australia
SHORT FILM SCREENPLAYS
Wilson, S (2017). The Last Salute, Honeyhouse Films, Melbourne, Australia
Wilson, S (2010). Ear, Honeyhouse Films, Honeyhouse Films, Melbourne, Australia
Wilson, S (2010). Stake, Honeyhouse Films, Honeyhouse Films, Melbourne, Australia
Wilson, S (2010). The Vampire Monologues, Honeyhouse Films, Melbourne, Australia
EPISODIC SCREENPLAYS
Wilson, S (2020), Dark Garden, Series 1, Episodes 1-9, Bakers Road Entertainment, Melbourne, Australia
KEYNOTES, GUEST LECTURERS AND PRESENTATIONS
Wilson, S (2023). 'The Complexities of Epistemology Beyond Metamodernism in a Structure of Reason.', keynote, Metamodernism Conference Melbourne, AHRC Metamodernism Network, LaTrobe University Melbourne, Australia
Wilson, S (2022). Speaker/chair, GB22 Symposium, GBiennale, Heide Museum of Modern Art, Australia
Wilson, S (2018). 'Uber Memoria X', Adelaide College of the Arts, Adelaide. Australia
Wilson, S (2017). 'Meta-Immersion and Slow Cinema', 1st North Bellarine Film Festival Symposium, Portarlington, Australia
Wilson, S (2015). ‘Scriptwriting:from idea to screen, Mid Winter Words Festival, Portarlington, Australia
Wilson, S (2015). 'The Memory Palace’, Terrains of Memory Symposium, Castlemaine Festival, Australia
Wilson, S (2013). 'Independent Film Producing and Online Distribution', RMIT University, Melbourne, Australia
Wilson, S (2012). 'Slowness in the Cinematic Image', Beyond Slowness in the Cinematic Image Symposium, RMIT University, Melbourne, Australia
Wilson, S (2012). 'Can Science Fiction Cinema Survive without Physics?', Colliding Ideas Symposium, RMIT University, Melbourne, Australia
Wilson, S (2011). ‘Teaching and Learning Seminar, School of Media & Communication, RMIT University, Melbourne, Australia
Wilson, S (2010). ‘New Approaches to Creative Research’, School of Media & Communication, RMIT University, Melbourne, Australia
Wilson, S (2009). ‘National Gallery of Victoria, Federation Square, Melbourne, Australia
Wilson, S (2008). ‘Beyond Gothic Memoria’, School of Creative Media, RMIT University, Melbourne, Australia
Wilson, S (2008). ‘Art and Cinema’, DLUX, Sydney, Australia
Wilson, S (2008). ‘Gothic Film’, University of Queensland Art Museum, Brisbane, Australia
Wilson, S (2007). ‘Uber Nocturnus’, for FLOAT, Lake Macquarie City Art Gallery, Booragul, NSW, Australia
Wilson, S (2006). ‘1975 at NEW06’, Look Who’s Talking, ACCA, Melbourne, Australia
Wilson, S (2006). ‘Film and Memorialisation’, University of Applied Sciences, Schwaebisch Hall, Germany
Wilson, S (2005). ‘Recent Work’, School of Creative Media, RMIT University, Melbourne, Australia
Wilson, S (2004). ‘Work in Progress 2’, School of Visual and Performing Arts, University of Tasmania, Hbart, Australia
Wilson, S (2004). ‘The Memory Palace’, School of Philosophy, University of Tasmania, Hobart, Australia
Wilson, S (2004). ‘The Artist-Run Space’, School of Visual and Performing Arts, University of Tasmania, Launceston, Australia
Wilson, S (2004). ‘Reinventing Place’, School of Visual and Performing Arts, University of Tasmania, Launceston, Australia
Wilson, S (2003). ‘Current Research’, School of Visual and Performing Arts, University of Tasmania, Launceston, Australia
Wilson, S (2003). ‘Work in Progress’, School of Visual and Performing Arts, University of Tasmania, Launceston, Australia
Wilson, S (2003). ‘Nextworlds’, Switchback Gallery, Monash University, Churchill, Australia
Wilson, S (2003). ‘Life after Art School’, School of Visual and Performing Arts, University of Tasmania, Launceston, Australia
Wilson, S (2002). ‘Emerging Sculpture in Melbourne, Tasmanian School of Art’, University of Tasmania, Hobart, Australia
Wilson, S (2002). ‘Current Work’, Tasmanian School of Art, University of Tasmania, Hobart, Australia
Wilson, S (2002). ‘Current Work’, Sculpture seminar, Tasmanian School of Art, University of Tasmania, Hobart, Australia
Wilson, S (2001). ‘Recent Work’, TAFE, Wantirna Campus, Swinburne University, Melbourne, Australia
Wilson, S (2001). ‘10 sculptors’, Gasworks Theatre, Gasworks Arts Park, Melbourne, Australia
Wilson, S (2001). ‘The Artist Run Space’, Faculty of Art and Design, Monash University, Melbourne, Australia
Wilson, S (2001). ‘Contemporary Australian Sculpture’, Box Hill Institute, Melbourne, Australia
Wilson, S (2001). ‘Contemporary Australian Sculpture’, Swinburne University TAFE, Melbourne, Australia
Wilson, S (2000). ‘EIM Project’, Switchback Gallery, Faculty of Art and Design, Monash University, Churchill, Australia
Wilson, S (2000). ‘The Artist Run Space’, Faculty of Art and Design, Monash University, Melbourne, Australia
Wilson, S (2000). ‘Recent Work’, TAFE, Wantirna Campus, Swinburne University, Melbourne, Australia
Wilson, S (1999). ‘How to Survive Art School’, Faculty of Art and Design, Monash University, Melbourne, Australia
Wilson, S (1998). ‘How to Survive Art School’, Faculty of Art and Design, Monash University, Melbourne, Australia
Wilson, S (1997). ‘Recent Work’, Casey Institute, Dandenong Campus, Melbourne, Australia
Wilson, S (1996). ‘How to Survive Art School’, Faculty of Art and Design, Monash University, Melbourne, Australia
Wilson, S (1996). ‘New Painting from the UK’, Faculty of Art and Design, Monash University, Melbourne, Australia
PRIZES AND AWARDS
2020 Best Director, Best Film, Best Supporting Actor [Black Garden] shortlisted, The Australian Academy of Cinema and Television Arts [AACTA]
2016 Winner, Melbourne Central Art Loop Prize, Melbourne, Australia
2014 Winner, BigCI Artist in Residency Prize, BigCi, NSW, Australia
2011 L.A Screenwriting Prize, [finalist], Roosevelt Hotel, Los Angeles, USA
2006 Tertiary Art Prize 2006 [winner], Poimena Gallery, Launceston, Australia
1999 Moet Chandon, shortlisted, Moet Chandon Foundation, National Gallery of Victoria, Melbourne, Australia
1995 Lucardo Peace Prize, finalist, Monash University, Caulfield Campus, Melbourne, Australia
RESIDENCY
2022 Placing the Decameron, online residency, Fremantle Arts Centre, Fremantle, Australia
2021 Revisiting the Decameron, online residency, Fremantle Arts Centre, Fremantle, Australia
2021 Researcher in Resident, ACMI-x, School of Design, RMIT and ACMI, Melbourne, Australia
2015 BiCI Wollemi National Park, NSW, Australia
2003 Devonport Gallery and Art Centre, Devonport, Australia
2003 Queen Victoria Museum and Art Gallery, Launceston, Australia
2002 Indigo Studios, Melbourne, Australia
1997 Caulfield Grammar, Wheelers Hill Campus, Melbourne, Australia
CURATED PROJECTS
Wilson, S (2020). As You Look Away: Kim Collmer Retrospective, GIFF20 Geelong International Film Festival, Geelong, Australia
Wilson, S (2020). Proving Ground: Brendan lee Retrospective, GIFF20 Geelong International Film Festival, Geelong, Australia
Wilson, S (2020). Euphony: Louise K Wilson Retrospective, GIFF20, Geelong, Australia
Wilson, S (2018). Super Awful Meta War Machines, NOIR Darkroom, Melbourne, Australia
Wilson, S (2017). Artefacts for 21st Century Humans, Noir Gallery, Melbourne, Australia
Wilson, S (2017). Sublime, Internal, Subliminal, NeMe Arts Centre, Cyprus
Wilson, S (2011). ‘Graduate Screening’, Australian Centre for the Moving Image, Melbourne, Australia
Wilson, S (2009). ‘Killing Me Softly’, 5th International Berlin Directors Lounge, Berlin, Germany
Wilson, S (2008). ‘Other Cinema’, 5th International Berlin Directors Lounge, Berlin, Germany
Wilson, S (2008). ‘Australian Gothic’, Perth Institute of Contemporary Art, Perth, Australia
Wilson, S (2008). ‘Post-Cinema’, Project Space/Spare Room, Melbourne, Australia
Wilson, S (2007). ‘Australian Gothic’, Project Space, Melbourne, Australia, Directors Lounge, Berlin, Germany
Wilson, S (2006). ‘Ars Memoria’, Rhizome at the New Museum of Contemporary Art, New York, USA
Wilson, S (2004). ‘The Art Tourist Project’, with B. Beukelman and N. McMurray, Arts @ Work, Hobart, Australia
Wilson, S (2002). ‘Becton National Sculpture Biennial’, with Ken Wong, Gasworks, Melbourne, Australia
Wilson, S (2002). ‘Intelligent Space: New Art from Hobart’, The Powerhouse Gallery, Launceston, Australia
Wilson, S (2002). ‘Curatorial Symposium 2002’, Entrepot Gallery, Centre for the Arts, Hobart, Australia
Wilson, S (2002). ‘Global House Project’, Monaghan and Company, Seattle, USA
Wilson, S (2001). ‘Gasworks Studio Artists exhibition’, Gasworks Theatre, Gasworks, Melbourne, Australia
Wilson, S (2001). ‘Swinburne TAFE student exhibition’, Mira Fine Art, Melbourne, Australia
Wilson, S (2000). ‘Spark’, The Faculty Gallery, Monash University, Caulfield Campus, Melbourne, Australia
Wilson, S (2000). ‘Gasworks Studio Artists exhibition, Gasworks Theatre, Gasworks, Melbourne, Australia
Wilson, S (2000). ‘New Painting from Melbourne’, The Jackman Gallery, Melbourne, Australia
Wilson, S (2000). ‘The Artists Olympic Games 2000’, Indigo Studios, Melbourne, Australia
Wilson, S (2000). ‘Life’, The Public Office, Melbourne, Australia
Wilson, S (2000). ‘New Directions: New Art from RMIT University I-3’, Indigo Studios, Melbourne, Australia
Wilson, S (2000). ‘Environment’,Switchback Gallery, Monash University, Churchill, Australia
Wilson, S (2000). ‘Invention’, Switchback Gallery, Monash University, Churchill, Australia
Wilson, S (2000). Memory, Switchback Gallery, Monash University, Churchill, Australia
Wilson, S (2000). Diary, Swinburne TAFE student exhibition, Open Space Gallery, Melbourne, Australia
Wilson, S (1999). Melbourne Fringe Festival 1999 Visual Arts exhibitions (x60 program exhibitions), Melbourne, Australia
Wilson, S (1998). Fresh: New Emerging Art from Melbourne, Indigo Studios, Melbourne, Australia
Wilson, S (1997). End of Year Group Show, with M. Pribble, Indigo Studios, Melbourne, Australia
Wilson, S (1997). ‘Lavazza Young Designer Award 1997’, Myer Gallery, Melbourne, Australia
Wilson, S (1996). 9 x 5 Exhibition, Indigo Studios Melbourne, Australia
Wilson, S (1996). Shamocracy, Lyall Burton Gallery, Melbourne, Australia
Wilson, S (1992). ISM 2, Brunswick Mechanics Institute, Melbourne, Australia
Wilson, S (1992). ISM, Clayton Theatre, Melbourne, Australia
FEATURE LENGTH FILMS
2024 The Last Man in Vegas, dir: Shaun Wilson, 100 mins, post-production, Bakers Road Entertainment
2022 The Black Period, dir. Shaun Wilson, 60 mins, Bakers Road Entertainment
2020 Winter Orbit, dir: Shaun Wilson, 60 mins, Bakers Road Entertainment
2019 Black Garden, dir: Shaun Wilson, 90 mins, Bakers Road Entertainment
2017 In The Journey of Midnight, dir: Shaun Wilson, 58 mins, Bakers Road Entertainment
2017 Indigo Rising, dir: Shaun Wilson, 49 mins, Honeyhouse Films, Bakers Road Entertainment
2015 The Tailor of Autumn, dir: Shaun Wilson, 71 mins, Honeyhouse Films
2013 51 Paintings, dir: Shaun Wilson, 71 mins, Honeyhouse Films
REPRESENTATION IN FILM MARKETS
2021 European Film Market EFM, Berlin International Film Festival, Berlin, Germany
2020 TIFF Industry, Toronto International Film Festival, Toronto, Canada,
202o Marche du Film, 73rd Cannes Film Festival, Cannes, France
2020 Venice Production Bridge, 77th Venice Film Festival, Venice, Italy
2019 Canadian Film Market, Hamilton Film Festival, Hamilton, Canada
2019 Venice Production Bridge, 76th Venice Film Festival, Venice, Italy
2019 Marche du Film, 72nd Cannes Film Festival, Cannes, France
SOUNDTRACKS (AS AREMSTAR)
Wilson, S (2023). The Black Period Official Motion Picture Soundtrack, Bakers Road Entertainment
Wilson, S (2023). Metamodernism the Lectures, Bakers Road Entertainment
Wilson, S (2022). Beautiful Thought Coins official NFT soundtrack, CC4.0, Bakers Road Entertainment
CURRENT RESEARCH SUPERVISION
Alex D’Aloia, Time and the moving image, PhD, School of Media and Communication, RMIT University [completion 2024]
Monika Van Egmond, MA, School of Design, RMIT University [commencement 2024]
Sarah-Jane Woulahan, Discarding the frame: film language in the embodied view of cinematic Virtual RealityPhD, School of Design, RMIT University [completion 2024]
Sue Beyer, Digital combines: a practice-based investigation into a metamodern in-between, DVA, Queensland College of Art and Design, Griffiths University, QLD. [consulting supervision]
ALUMNI
RMIT University
Monash University
University of Tasmania
COLLECTIONS
National Gallery of Victoria (Artists Books: Artline 95)
Historical Archives of Contemporary Art [ASAC], Venice Biennale
G Biennale Collection
State Library of Victoria
Libraries ACT, Canberra
National Library of Australia
State Library of Queensland
State Library of Western Australia
State Library of South Australia
State Library of New South Wales
Libraries Tasmania
Library & Archives Northern Territory
Deakin University Art Collection
ERGAS Collection, Museum of Contemporary Art, Sydney
Initiative for Cultural Exchange and Computer Arts, Thailand
Lake Macquarie City Art Gallery Collection
Souvenirs from Earth, Germany
Victor Harbour Public Library
Tanunda Library, Stirling Library
Semaphore Library - City of PAE Libraries
Onkaparinga Libraries - Seaford Library
Port MacDonnell Library
Mount Gambier Library
Morgan Public Library
Mawson Lakes Library
Marion Libraries-Park Holme
Hindmarsh Library
Henley Beach Library
Glenelg Library
Gawler Library
Civic Library (Woodville)
Alexandrina Libraries-Strathalby
Adelaide City Libraries - Hutt Street
Private Collections in Australia, Netherlands, France, UK, Germany, and USA