PROJECTS
Title: The 51 Paintings Suite
Chief Investigator: Shaun Wilson
Funding: Arts Victoria (2008), The Australia Council for the Arts (2010), ERGAS Collection acquisition funds (2007)
Description: Representing the reimaging of poses from characters located in various historical paintings into slow cinema artefacts
Title: Nonsense Machines
Chief Investigator: Shaun Wilson
Support: Melbourne Design Week 2018 presented by the National Gallery of Victoria
Description: Demonstrating failed experiments from climate change denial through miniatures
BOOKS
Title: Place and Virtuality
Co-editors: Jeff Malpas, Shaun Wilson
Description: Exploring the connections and relationships between places and the virtual
Title: Rethinking Slow Cinema
Author: Shaun Wilson
Description: An enquiry of the slow cinema movement in a twenty first century context
Title: What is Metamodernism?
Author: Shaun Wilson
Description: Redefining the critical theory landscape after 9/11 through the rise of the absolute and new relativism.
Title: The Gothic Memorium
Author: Shaun Wilson
Publisher: Windsor Bentley Press
ISBN: 9780987375308
Description: The dark and satirical adventures of Dor the serial killer frog and Rod as they journey through Pepperwood and the chaos beyond.'
CHAPTERS
Wilson, S (2009). ‘Remixing Memory in Digital Media’, in Save As... Digital Memory, Jo Garde-Hansen (ed.), Palgrave McMillan, London ISBN 978-0-230-23941-8
SELECTED ARTICLES
Wilson, S,. (in press). 'Representing COVID-19 in Critical Studio Practice', International Journal of Practice Based Humanities, V4. Vol. 1, 2207-3086
Wilson, S. (2020) 'Representing Climate Activism through Digital Media before and during COVID-19', International Journal of Contemporary Humanities, Vol.4, No. 1, ISSN 2207-2837
Wilson. S (2019) 'Bullshit Bingo: Designing a response to climate change denialism in critical studio practice, International Journal of Practice Based Humanities, Vol. 3, No, 1 ISSN 2207-3086
Wilson, S (2019). 'The Long Take as a Metamodernist Framework in the Age of Perpetual Distraction', Screen Thought Journal, Vol.3, No.1, ISSN 2206-6225
Wilson, S (2018). 'On Digital Otherness: Being 'of Art' in the Age of the Internet, International Journal of Contemporary Humanities, Vol.3, No.1 ISSN 2207-2837
Wilson, S (2017). 'Towards the Simulation of Sensor Networks [Authenticity and Untruthful Practice]', International Journal of Contemporary Humanities, Vol.2, No.1 ISSN 2207-2837
Wilson, S (2017). 'Scaling Home in Critical Studio Practice', International Journal of Practice Based Humanities, Vol. 2, No, 1 ISSN: 2207-3086
Wilson, S (2017). 'Designing Meta-Immersion for Cinematic Narrative', Screen Thought Journal, Vol.2, No.1 ISSN 2206-6225
Wilson, S (2017). 'Modelling Meta-Inclusion for Cinematic Narrative', Screen Thought Journal, Vol.2, No.1 ISSN 2206-6225
Wilson, S (2016). 'Building a Memory Palace from the Ars Memoria Tradition through Video Installation', International Journal of Practice Based Humanities, Vol. 1, No, 1 ISSN: 2207-3086
Wilson, S (2016). 'What is Post-neomodernism? Absolute, Multiplicity, Post-Truth, Disruption, International Journal of Contemporary Humanities, Vol.1, No.1 ISSN 2207-2837
Wilson, S (2016). 'Alternative Characterisation Strategies in Contemporary Mainstream Zombie Cinema', Screen Thought Journal, Vol.1, No. 1, SSN 2206-6225
Wilson, S (2015). 'Slow Motion as a Condition for the Moving Image', Evers, C, Berry, M, Wilson , S (Eds.) Altitude Journal, University of Nottingham Nigbo, China ISSN 14444-1160
Wilson, S (2011). 'Remixing Memory in Home Movies’, in Screen Memories, Teressa Forde (ed), Image and Narrative Journal, Open Humanities Press, Issue 11 ISSN 1780-678X