RESIDENCY
Excerpts from 'Filmic Memorials 3' (2005), screened at MAP, Australian Centre for the Moving Image, Melbourne Sept 2005
Title: Design and Home Movies
Dates: March - December, 2021
Chief Investigator: Shaun Wilson
Funding: Regional Arts Victoria
Original film sources: Tony Barbone, Peter Wilson
Host: ACMI-x [Australian Centre for the Moving Image]
Description: Reimaging aspects of vintage home movies through video art from captured histories of urban and regional Victoria.
PROJECTS
Title: The 51 Paintings Suite (ongoing)
Chief Investigator: Shaun Wilson
Funding: Arts Victoria (2008), The Australia Council for the Arts (2010), ERGAS Collection acquisition funds (2007)
Description: Representing the reimaging of poses from characters located in various historical paintings into slow cinema artefacts
Collections: ERGAS Collection, Museum of Contemporary Art, Sydney, Historical Archives of Contemporary Art, Venice Biennale
Title: Nonsense Machines (ongoing)
Chief Investigator: Shaun Wilson
Support: Melbourne Design Week 2018 presented by the National Gallery of Victoria and MARS Gallery
Description: Demonstrating failed experiments from climate change denial through miniatures
BOOKS
Title: Migrants, Home Movies and Place: The Journey to Australia as Topographical Domestic Cinema
Author: Shaun Wilson
Description: forthcoming
Publisher: Amsterdam University Press
Title: The Gothic Memorium
Author: Shaun Wilson
Publisher: Windsor Bentley Press
ISBN: 9780987375308
Description: The dark and satirical adventures of Dor the serial killer frog and Rod as they journey through Pepperwood and the chaos beyond.'
CHAPTERS
SELECTED ARTICLES
Wilson, S (2021). 'Creative Practice through Teleconferencing in the Era of COVID-19', MC Journal, Vol.24, No.3, ISSN: 1441-2616
Wilson, S (in press) 'Fear Mapping Place and the Art of Contagion in Wither They Say', International Journal of Practice Based Humanities, Vol.4, No.1 ISSN 2207-3086,
Wilson, S (2021) 'Reconsidering Place in Honda's Kaiju Eiga 1961-1969, Screen Thought Journal, Vol.5, No.1, ISSN 2206-6225
Wilson, S (2021) 'A Fear of Place: an Ontology of Symbiosis in Pandemic Times', International Journal of Contemporary Humanities, Vol.5, No.2, ISSN 2207-2837
Wilson, S. (2020). 'The Good, the Bad, and the Grumpy: Online Cat Pictures as Design Enigma in Digital Media', Screen Thought Journal, Vol.4, ISSN 2206-6225
Wilson, S. (2020) 'Representing Climate Activism through Digital Media before and during COVID-19', International Journal of Contemporary Humanities, Vol.4, No. 1, ISSN 2207-2837
Wilson. S (2019) 'Bullshit Bingo: Designing a response to climate change denialism in critical studio practice', International Journal of Practice Based Humanities, Vol. 3, No, 1 ISSN 2207-3086
Wilson, S (2019). 'The Long Take as a Metamodernist Framework in the Age of Perpetual Distraction', Screen Thought Journal, Vol.3, No.1, ISSN 2206-6225
Wilson, S (2018). 'On Digital Otherness: Being 'of Art' in the Age of the Internet, International Journal of Contemporary Humanities, Vol.3, No.1 ISSN 2207-2837
Wilson, S (2017). 'Towards the Simulation of Sensor Networks [Authenticity and Untruthful Practice]', International Journal of Contemporary Humanities, Vol.2, No.1 ISSN 2207-2837
Wilson, S (2017). 'Scaling Home in Critical Studio Practice', International Journal of Practice Based Humanities, Vol. 2, No, 1 ISSN: 2207-3086
Wilson, S (2017). 'Designing Meta-Immersion for Cinematic Narrative', Screen Thought Journal, Vol.2, No.1 ISSN 2206-6225
Wilson, S (2017). 'Modelling Meta-Inclusion for Cinematic Narrative', Screen Thought Journal, Vol.2, No.1 ISSN 2206-6225
Wilson, S (2016). 'Building a Memory Palace from the Ars Memoria Tradition through Video Installation', International Journal of Practice Based Humanities, Vol. 1, No, 1 ISSN: 2207-3086
Wilson, S (2016). 'What is Post-neomodernism? Absolute, Multiplicity, Post-Truth, Disruption, International Journal of Contemporary Humanities, Vol.1, No.1 ISSN 2207-2837
Wilson, S (2016). 'Alternative Characterisation Strategies in Contemporary Mainstream Zombie Cinema', Screen Thought Journal, Vol.1, No. 1, SSN 2206-6225
Wilson, S (2015). 'Slow Motion as a Condition for the Moving Image', Evers, C, Berry, M, Wilson , S (Eds.) Altitude Journal, University of Nottingham Nigbo, China ISSN 14444-1160
Wilson, S (2011). 'Remixing Memory in Home Movies’, in Screen Memories, Teressa Forde (ed), Image and Narrative Journal, Open Humanities Press, Issue 11 ISSN 1780-678X