BEAUTIFUL
THOUGHT
COINS
HYBRID NFT ART
BEAUTIFUL
THOUGHT
COINS
HYBRID NFT ART
BEAUTIFUL
THOUGHT
COINS
HYBRID NFT ART
RESIDENCY
PLACING THE DECAMERON
Title: Placing the Decameron (formally titled 'Revisiting the Decameron')
Dates: 2021 - 2022
Chief Investigator: Shaun Wilson
Host: Fremantle Arts Centre, Fremantle, Australia
Weblink: https://studio.fac.org.au/shaun-wilson/
Description: Reconfiguring the places of storytelling in Boccaccio's The Decameron through allegorical landscape painting to reflect both The Black Plague from the time of The Decameron to COVID-19 in the present.
DESIGN AND HOME MOVIES
Title: Design and Home Movies
Dates: 2021-2022
Chief Investigator: Shaun Wilson
Funding: Regional Arts Victoria
Original film sources: Tony Barbone, Peter Wilson
Host: ACMI-x [Australian Centre for the Moving Image] and School of Design, RMIT University
Publisher: Amsterdam University Press
Description: Re-imaging aspects of vintage home movies through video art from captured histories of urban and regional Victoria. The wider research will contribute to the new monograph book to be published by Amsterdam University Press.
PROJECTS
Title: The 51 Paintings Suite (ongoing)
Chief Investigator: Shaun Wilson
Funding: Arts Victoria (2008), The Australia Council for the Arts (2010), ERGAS Collection acquisition funds (2007)
Description: Representing the re-imaging of poses from characters located in various historical paintings into slow cinema artefacts
Collections: ERGAS Collection, Museum of Contemporary Art, Sydney, Historical Archives of Contemporary Art, Venice Biennale
Title: Nonsense Machines (ongoing)
Chief Investigator: Shaun Wilson
Support: Melbourne Design Week 2018 presented by the National Gallery of Victoria and MARS Gallery
Description: Demonstrating failed experiments from climate change denial through miniatures
BOOKS
Title: Migrants, Home Movies and Place: The Journey to Australia as Topographical Domestic Cinema
Author: Shaun Wilson
Description: forthcoming
Publisher: Amsterdam University Press
Title: Place and Illness: Plagues, Pandemics, and Restrictions
Author: Shaun Wilson
Description: forthcoming
Publisher: Palgrave Macmillan
Title: The Gothic Memorium
Author: Shaun Wilson
Publisher: Windsor Bentley Press
ISBN: 9780987375308
Description: The dark and satirical adventures of Dor the serial killer frog and Rod as they journey through Pepperwood and the chaos beyond.
CHAPTERS
SELECTED ARTICLES
Wilson, S (in press) 'Tokenising Aesthetics: From Screen to Crypto Art', Screen Thought Journal, Vol.6, ISSN 2206-6225
Wilson, S '(in press) 'Plague, allegory, and metamodernism as contemporary studio practice in 'The Black Period', International Journal of Practice-Based Humanities, Vol.5 ISSN 2207-3086
Wilson, S (2022) 'The Affordances of Digital Aesthetics', Digital Combines, exhibition essay, Box Gallery, Melbourne
Wilson, S '(2022) 'Plague, allegory, and metamodernism as contemporary studio practice in 'Placing the Decameron', International Journal of Contemporary Humanities, Vol 6 ISSN 2207-2837
Wilson, S (2022) 'Situating Conceptuality in Non-Fungible Token Art', MC Journal, Vol.25, No.2, ISSN: 1441-2616
Wilson, S (2021) 'Creative Practice through Teleconferencing in the Era of COVID-19', MC Journal, Vol.24, No.3, ISSN: 1441-2616
Wilson, S (2021) 'Fear Mapping Place and the Art of Contagion in Wither They Say', International Journal of Practice-Based Humanities, Vol.4 ISSN 2207-3086,
Wilson, S (2021) 'Reconsidering Place in Honda's Kaiju Eiga 1961-1969', Screen Thought Journal, Vol.5, No.1, ISSN 2206-6225
Wilson, S. (2020) 'The Good, the Bad, and the Grumpy: Online Cat Pictures as Design Enigma in Digital Media', Screen Thought Journal, Vol.4, ISSN 2206-6225
Wilson, S. (2020) 'Representing Climate Activism through Digital Media before and during COVID-19', International Journal of Contemporary Humanities, Vol.4, No. 1, ISSN 2207-2837
Wilson. S (2019) 'Bullshit Bingo: Designing a response to climate change denialism in critical studio practice', International Journal of Practice Based Humanities, Vol. 3, No, 1 ISSN 2207-3086
Wilson, S (2019) 'The Long Take as a Metamodernist Framework in the Age of Perpetual Distraction', Screen Thought Journal, Vol.3, No.1, ISSN 2206-6225
Wilson, S (2018) 'On Digital Otherness: Being 'of Art' in the Age of the Internet, International Journal of Contemporary Humanities, Vol.3, No.1 ISSN 2207-2837
Wilson, S (2017) 'Towards the Simulation of Sensor Networks [Authenticity and Untruthful Practice]', International Journal of Contemporary Humanities, Vol.2, No.1 ISSN 2207-2837
Wilson, S (2017) 'Scaling Home in Critical Studio Practice', International Journal of Practice Based Humanities, Vol. 2, No, 1 ISSN: 2207-3086
Wilson, S (2017) 'Designing Meta-Immersion for Cinematic Narrative', Screen Thought Journal, Vol.2, No.1 ISSN 2206-6225
Wilson, S (2017) 'Modelling Meta-Inclusion for Cinematic Narrative', Screen Thought Journal, Vol.2, No.1 ISSN 2206-6225
Wilson, S (2016) 'Building a Memory Palace from the Ars Memoria Tradition through Video Installation', International Journal of Practice Based Humanities, Vol. 1, No, 1 ISSN: 2207-3086
Wilson, S (2016) 'What is Post-neomodernism? Absolute, Multiplicity, Post-Truth, Disruption, International Journal of Contemporary Humanities, Vol.1, No.1 ISSN 2207-2837
Wilson, S (2016) 'Alternative Characterisation Strategies in Contemporary Mainstream Zombie Cinema', Screen Thought Journal, Vol.1, No. 1, SSN 2206-6225
Wilson, S (2015) 'Slow Motion as a Condition for the Moving Image', Evers, C, Berry, M, Wilson , S (Eds.) Altitude Journal, University of Nottingham Nigbo, China ISSN 14444-1160
Wilson, S (2011) 'Remixing Memory in Home Movies’, in Screen Memories, Teressa Forde (ed), Image and Narrative Journal, Open Humanities Press, Issue 11 ISSN 1780-678X
